Sex love and rock n roll. Sex, Love and Rock n' Roll.



Sex love and rock n roll

Sex love and rock n roll

The tragic and sudden death of founding member Dennis Danell in February of set things back indefinitely. Despite the fact that the band pulled themselves together later that fall, the call of a new record became less of a realistic expectation and more of a mantra for those of us who were disillusioned with the "state of punk. Another six years passed before Social D returned to recording. At this point, and after his solo outlets, Ness knows the strengths in his song writing and certainly isn't going to sour it with an unexpected change in direction. Lyrically Sex, Love and Rock 'n' Roll carries quite a positive message. There's a tendency to "go big" on these sorts of records and we end up with overlong, emotionally heavy, self-important releases that aren't so much rock records as they're events: After eight years we get ten songs, a nice sequencing and not quite fourty minutes of music. Liles and O'Brien left, and Ness, after straightening himself out, finally regrouped in with John Maurer on bass and Chris Reece on drums. There's always been genuine soul in the work of Mike Ness, but here it burns brighter than ever before. After extensive touring, the band went back into the studio in to record Sex, Love and Rock 'n' Roll. Ness is as defiant as always and still playing the role of the streetwise gutter-poet, however there's less open conflict evident here. They're especially dangerous in the case of a comeback album from a veteran band. We've even had a few roots-Americana solo releases from frontman Mike Ness. This grouping gathers together all versions of the "Sex, Love and Rock 'N' Roll" album, originally released in

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Social Distortion - Highway 101



Sex love and rock n roll

The tragic and sudden death of founding member Dennis Danell in February of set things back indefinitely. Despite the fact that the band pulled themselves together later that fall, the call of a new record became less of a realistic expectation and more of a mantra for those of us who were disillusioned with the "state of punk. Another six years passed before Social D returned to recording. At this point, and after his solo outlets, Ness knows the strengths in his song writing and certainly isn't going to sour it with an unexpected change in direction. Lyrically Sex, Love and Rock 'n' Roll carries quite a positive message. There's a tendency to "go big" on these sorts of records and we end up with overlong, emotionally heavy, self-important releases that aren't so much rock records as they're events: After eight years we get ten songs, a nice sequencing and not quite fourty minutes of music. Liles and O'Brien left, and Ness, after straightening himself out, finally regrouped in with John Maurer on bass and Chris Reece on drums. There's always been genuine soul in the work of Mike Ness, but here it burns brighter than ever before. After extensive touring, the band went back into the studio in to record Sex, Love and Rock 'n' Roll. Ness is as defiant as always and still playing the role of the streetwise gutter-poet, however there's less open conflict evident here. They're especially dangerous in the case of a comeback album from a veteran band. We've even had a few roots-Americana solo releases from frontman Mike Ness. This grouping gathers together all versions of the "Sex, Love and Rock 'N' Roll" album, originally released in Sex love and rock n roll

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  1. Social Distortion could not release a follow-up to "White Light, White Heat, White Trash" partly because of their various other activities, most obviously those of frontman Mike Ness. After eight years we get ten songs, a nice sequencing and not quite fourty minutes of music.

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